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Dead Can Dance – Dionysus Digital album
Format: mp3, 320kb/s
Premiere: November 2nd 2018
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File size;: 312,2 MB
File format: Dead Can Dance – Dionysus zip file
Dead Can Dance – Dionysus mp3 songs list:
‘POST-APOCALYPTO THEME’
‘desolation’
‘HOPE’
‘cave women’
‘MAKING LOVE’
‘scientists’
‘TAKE US INTO SPACE’
‘i’ve got to go’
‘FUCK YO-YO MA’
‘reunion/not so fast’
‘DADDY DING DONG’
‘chainsaw bazooka machine gun’
‘ROBOT’
‘marCH’
‘turd whistle’
‘COLORS’
‘who’s your daddy?’
‘JB JR RAP’
‘WOMAN TIME’
‘SAVE THE WORLD’
‘POST-APOCALYPTO THEME (REPRISE)’
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„Dead Can Dance“ is one of the few bands from the ’80s, „Goth“, which is consistent discography and is one of the few bands in the scene, which has managed to branch out beyond the scene to the point where simply labeling their „Goth“ does not make the band’s music justice thanks to their explorations in „World“ and „Experimental“ music. Now, six years after the release of the Anastasis, the band will release a new album on November 2nd entitled DIONYSUS, and will embark on a tour in May. Dead Can Dance announced his first album in 6 years. Dionysus will be released on November 2 by [PIAS] Recordings. According to the press release, the album consists of „seven movements representing various aspects of the myth of Dionysus and his cult“. The duo also announced a European tour in the spring of 2016;
From the very beginning in 1981, the Australian duo DEAD CAN DANCE has long been intrigued by European folk traditions, not only in terms of music, but also secular, religious and spiritual. Inspired by this situation, DIONYSUS amounted to as Brendan Perry examined the long and well-established spring and harvest festivals, which were born out of religious practices, a journey that brings to the fore, rites and rituals, which are still practiced to this day.
After two years, Perry has accumulated a number of folk instruments and how often heard on previous albums, draws inspiration from around the world, the songs evolve less like a song, but more like fragments of a coherent whole. Dionysus follows the familiar path, the witness field recordings, including songs, hives from New Zealand, birds from Latin America and the Swiss cocaine. Perry’s goal is not only to invoke the atmosphere and symbolic reference points, but to emphasize that music can be found everywhere in one form or another.
The album consists of two acts in seven movements that depict various aspects of the myth of Dionysus and his cult and assume a musical form of oratorio that transmitted both spiritual and secular music in such a distant history as at the beginning of the sixteenth century. Keeping the prevailing views on contemporary paganism in Europe, the voices used in these movements are imagined as celebrating communities, in communion sometimes with each other, chanting and calling and reaction – different voices are present to convey emotions beyond the borders of the language itself Although drawing inspiration from the history of Dionysus, the cover of the album resonates with links to rituals depicting the mask made by Huichola from the Sierra Madre Mountains in Mexico – famous for painting beads and yarn, as well as participating in peyote as a holy ritual and a ritual for healing and expansion of the mind – this is the heart of Dionysus, a celebration not only of humanity, but of humanity, which respects and respects nature in harmony with nature. Dead Can Dance will set off on a long European tour in May and June 2019, celebrating their lives and work from 1980 to today.
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